

Two executions from one copy set and one material: silver as metal, on night. Every image is a path-traced render from scenes that later run on the projector.
Your label, carrying the event. The nutrition panel is the run of show, the ingredients are the partners, and Thakzin is in the photo well. The can holds the date, the hours and the address, so the sheet keeps only what swaps for each artist: the name, the set and the lineup.


Caféteca's print DNA is a halftone. Here it is a 45 degree hexagonal screen of chrome beads on night, dot area following tone, the silhouette dissolving before its edge, so the portrait is made of light. The cup mark takes the same screen. The wordmark stands in chrome; his name is the one red.




The same label as a three post carousel: the front, then the right of the can, then the left. Each slide keeps one divider strip on its edge, so the joins line up and swiping reads as the can turning. Square, and the white to red line sits on the same row of every slide.


