Silver, two ways.
Cast
Screen
Two executions from one copy set and one material: silver as metal, on night. Every image is a path-traced render from scenes that later run on the projector.
Two executions from one copy set and one material: silver as metal, on night. Every image is a path-traced render from scenes that later run on the projector.
Your label, carrying the event. The nutrition panel is the programming, the partners have the right side, and Thakzin is in the photo well. The can holds the date, the hours and the address, so the sheet keeps only what swaps for each artist: the name, the set and the lineup.
Caféteca's print DNA is a halftone. Here it is a 45 degree hexagonal screen of chrome beads on night, dot area following tone, the silhouette dissolving before its edge, so the portrait is made of light. The cup mark takes the same screen. The wordmark stands in chrome; his name is the one red.
Your sequence: the rotating can, then Thakzin, then the partners, then the programming, then his face as the reveal. The three label slides are cut so they tile the can exactly once, so each divider strip appears once and the joins line up as you swipe. Square, and the white to red line sits on the same row of all three.
Everything here is ready to post or forward. The carousel slides are square at 1080, the story is 9:16, the posters are 4:5, and the label is the full artwork at print size.
