

Two executions from one copy set and one material: silver as metal, on night. Every image is a path-traced render from scenes that later run on the projector.
The event printed on the iced tea can. The can carries the name, the headliner and his set, and the rooms and the day on its sides. The sheet carries the date, the address, the partners and the night. Nothing is said twice.


Caféteca's print DNA is a halftone. Here it is a 45 degree hexagonal screen of chrome beads on night, dot area following tone, the silhouette dissolving before its edge, so the portrait is made of light. The cup mark takes the same screen. The wordmark stands in chrome; his name is the one red.



